The Original #4 The Firemaker

As has been apparent all the way through the series’ debut story the combination of writer Anthony Coburn and director Waris Hussein has been vital in turning what could easily have been a far less impressive affair into something stylish and clever. Here in the final episode they both triumph bringing matters to an interesting conclusion. 

Sensorite Gone Wrong!

When I was a child I was a Doctor Who fan (see, not much has changed) and in the fabulous book `The Making of Doctor Who` there was a photo of two Sensorites which I found oddly fascinating. I'd never seen Sensorites before and imagined they were very evil, dangerous aliens. However the book's episode guide told me that in serial code G (which I didn’t even know then was called `The Sensorites` though I might have guessed) the enemy had been a disease killing them so they were not evil. Still they looked it. These aliens were quite unlike anything I’d seen lately which were things like the Sea Devils.  Anyway at the time I was also a member of the Doctor Who Fan Club and members used to send in their drawings so I foolishly drew a picture of a Sensorite and sent it in. 

The Original #3 The Forest of Fear

People have complained lately that Peter Capaldi’s Doctor was too angry and unfriendly in his first season or that David Tennant’s Doctor acted out of character by imprisoning the Family at the end of `Family of Blood` but what do they know? You only have to travel three episodes into the entire series to find the Doctor at his most unforgiving in a manner that makes his later incarnations seem like big softies by comparison. This episode is a tautly staged, powerful spin on how people react in extreme situations and really deserves as many plaudits at `An Unearthly Child` which it is the equal of.

Good Times! #11 Nebula 91

Photo Special! Snaps from the acclaimed  September 1991 convention held in Liverpool and featuring Sylvester McCoy, Sophie Aldred, Anthony Ainley, John Nathan-Turner, Mary Tamm, Frazer Hines, Nick Courtney, David Banks and even a couple of people from Blake's 7! 

The Original #2 The Cave of Skulls

In which our newly minted time travellers encounter a Stone Age tribe engaged in a power struggle over who should be the leader setting the tone for all tribes ad infinitum. The line to be balanced with this kind of thing is how the portrayal of cavemen is achieved. There is much potential for over acting here and while occasionally this does happen, on the whole the production manages to achieve a believable take on such an ancient culture. While the tribe speak English they do so with enough linguistic skill to make the dialogue engaging enough. There’s a bit of grunting, usually when someone’s annoyed but only one occasion where things go right over the top. Poor old Za, trying his best to make fire fails in his goal and yells his head off. I suppose this is the Stone Age equivalent of clearing the air.

NEW SERIES The Original # 1 An Unearthly Child

53 years ago today the first episode of Doctor Who was broadcast and I’m re-watching the first story once a week to see if I can recapture the magic. 
It is impossible to imagine just what an impact this episode had on anyone watching it in 1963 but equally impossible to imagine that anybody would not want to watch the next episode. This really is a textbook example of how to set up a new series in any genre. Keep it simple, tease mysteries, focus on a handful of characters and make it visually stunning. `An Unearthly Child` does all this and never puts a foot wrong. Years back I remember older fans who’d seen the original broadcast talking in hushed tones about its magnificence and even though I’ve seen it lots of times I’m now not sure I have ever actually watched it. That is to say allowed its contents to reveal themselves without the accumulated narrative weight of 53 more years of Doctor Who swimming about my head. When you do that there is something compelling about every minute of this.

The Power of the Daleks

Matthew Kilburn reviews the newly released animated version of the classic 1966 story which introduced the second Doctor.

BBC Worldwide’s animated The Power of the Daleks is one of the projects one thought would never take place. We’d seen cold water poured on the volcanic flames of an animated parts one and four of The Underwater Menace, and had been assured for years that more than two episodes of a story would never be attempted again. Then, almost without warning, The Power of the Daleks was upon us, and BBC Store was no doubt gratified with many more new customers to strain its servers. As widely trailed, the budget and timescale only allowed for limited powers of expression and motion for the characters and must have entailed difficult choices for a talented team of recreators. 

Good Times! # 10 ExoSpace 1990

(previously unpublished review 1990)

In its own grounds surrounded by lush greenery and weird fern things, the Imperial Hotel is just the perfect place for Exo-Space! The event may not have been the biggest event of the year but in place of hype and hoopla we instead had a fun, intimate and friendly time where one felt like the committee wanted us to be there for reasons other than balancing the books. It fits in neatly with Exeter itself which has a fresh, exuberant high street, the splendour of a cathedral and lots of those tea shops you normally see in small country villages. The Imperial nestles amidst hills and slopes above the main railway station and not too far from the University.  

Problems? Exo-Space had them by the cartload. The tragic death of Graham Williams, the late change of venue, the fierce competitiveness of the 1990 convention calendar and even changes of main hall between Saturday and Sunday. Despite the open and relaxed mood the sadness of Graham Williams' death was far from forgotten, especially for those of us who'd met him. I’d had the pleasure of interviewing him some five years ago and found him to be charming, modest and great company in one crowded convention hall that day. He'd been scheduled to headline this event and it was re-organised as a tribute. 

 

Good Times! #9 Nebula 90

Nebula 90 Photo Special- event held at Adelphi Hotel in Liverpool 1990 featuring Peter Davison, Nicola Bryant, Sophie Aldred, Nick Courtney, Debbie Watling, Sharon Duce, Ian Briggs, Frank Windsor, Michael Cochrane.

Good Times! #8 PanoptiCon 8 1987 and Nebula 26 1989

PanoptiCon 8 Event highlights

Saturday:

MC- David Banks
`The Faceless Ones` episode 3
Colin Baker, Nicola Bryant, Tony Selby – Colin showing off his new slimline figure while Nicola in an answer to a bold question from the audience revealed she was married. Tony made a point of saying how hard JNT had worked to keep the show going.
Sophie Aldred- Introduced as if she were a competition winner, this was her debut convention appearance and she seemed a bit overawed by it. There was also an on screen message from the unavailable Sylvester McCoy.
Barry Letts, Terrance Dicks, Don Houghton and Bob Baker.

Good Times! #7 MonsterCon 1 and 2 1986

Monstercon Photo Special

William Russell and Carole Anne Ford plus friend (or foe)

The Time When Tom Baker published his autobiography

The gap between my initial encounter with the television debut of the fourth Doctor in December 1974 and what I now know about the actor who played him is Atlantic wide. To a kid, Tom was the lively, boggle eyed, long scarf bedecked grinning hero who saved us all from the squidgy monsters and helped make 5.20 pm on a Saturday night a magical place. To an adult, Tom became a bawdy, crazy eccentric obsessed with death and, er, ironing. Inevitably these two aspects came together in 1997 when Tom Baker published his autobiography. In some ways it was something you didn’t want him to do as explanations often sabotage the most beguiling people. By this time though Tom was out and about on the convention circuit and re-engaging with his best known role. These appearances- and the book they promoted- did not disappoint. 

Reverse the Polarity

Highly recommended 1992 Jon Pertwee interview.

One of the aspects that made Jon Pertwee such a great convention guest was his rapport with a large audience whose enthusiasm he in turn would feed with a raconteur’s skill. Rarer are one to one interviews outside of chat shows and `Reverse The Polarity` is probably the best I’ve seen. It features a lengthy interview with the actor as well as some fans’ memories of him, additional comments from Richard Franklin plus some behind the scenes footage of the third Doctor as he meets and greets fans at a video signing.

Good Times! #6 PanoptiCon 6 1985

(Adapted from a review first published in the MLG Megazine 1985)

Standing on a pebble strewn Brighton beach on an unseasonal July morning strafed by winds with waves washing the stones I try to imagine France on the horizon beyond the swirling grey sea though you can’t see it. Indeed you can’t see much but the heavy sky. It’s film weather this and you can imagine taking the cameras over the beach in the build up to some dark drama. This weekend though our particular drama is behind me inside the seafront Brighton Metropole hotel where the latest PanoptiCon is taking place. 

The Making of a TV Series book 1983

In many ways this is the continuation of the two versions of `The Making of Doctor Who` which had appeared in 1972 and again re-edited with additions in 1976. Published by Puffin and credited to Alan Road with photographs by Richard Farley, the book has the dimensions of a magazine and in 1983 sold for the princely sum of £1.95. While undoubtedly a more detailed analysis of the component parts that go into making a Doctor Who story its value is also that it is now a historical account of what television production was like in another time. Generously illustrated with official and behind the scenes photos- some in colour- it is a visual treat. Just like the previous Making of books it uses one story as an example so following `The Sea Devils` and `Robot`, under the microscope here is `The Visitation`. 

An early double page photo of the studio lights over the TARDIS set serves notice that this is to be an altogether more fact based account though. There are no fanciful Time Lord Files here. While this approach can occasionally make the book seem a tad dry, this is more than made up for by the way it illuminates the different production stages. Peter Davison provides an introduction where he declares “practically everyone involved knows more about what is going on than the actor.”